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Sedimentary
An Elegant Curse
Prospicience
Composition, performance, and video art: Adam T. Torres
In Sedimentary, instrumentation and pitch are among the parameters of the piece that are unspecified. Moreover, choices of form, dynamics, and texture are also on the table for anyone who’s picks up the piece, leaving the interlocking rhythms to be the only concrete parameter. Originally composed at the onset of the pandemic lockdown, Sedimentary was inspired by Steve Reich’s Clapping Music, and Music for Pieces of Wood, and is the product of a longing for musical accessibility and community.
Composition and video art: Adam T. Torres
Performance: Johnaye Kendrick
An Elegant Curse attempts to explore the gradual and imperceptible change in our behavior and perception that is an inevitable outcome of our interaction and dependence upon technology. Whether we choose to engage or not, technology plays an increasing role in our lives and has even become a factor in defining our sense of self.
Composition and video art: Adam T. Torres
Performance: Darcy Copeland (flute & cello), Adam T. Torres (melodica & cajon)
Inspired by George Lewis’ Shadowgraph, Prospicience challenges its players to play a game of telepathy. Housed in graphic score, its realization is an interpretive cycle of that often leaves its participants engaged yet bewildered.
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Solo
Small Ensemble
Large Ensemble
Fixed Media
List of Works
*click title for score
In Progress
String Quartet No. 1 (2022), 7’
(string quartet), scheduled for world premiere summer of 2022
Solo
Cuarto Dia (2020), 5’
(solo piano), premiered May, 2021 at Renaissance, A Capstone Project
An Elegant Curse (2020), 4’30”
(contralto and live electronics), premiered by Johnaye Kendrick December, 2020 at Scores of Sound
Small Ensemble
Sedimentary (2020), varying lengths
(seven musicians), premiered May, 2021 at Renaissance, A Capstone Project
Poets’ Walk (2016), 1’30”
(Debussy trio), premiered May 2016 at Columbia College Chicago
Shades for a Muted Duo (2017), 5’
(small ensemble), premiered summer of 2021 online
her whispers never heard (2019), 5’
(soprano, percussion & violoncello), premiered by Natalie Lerch, Kerry O’brien and Ha Yang Kim December, 2019 at Poncho Concert Hall
Large Ensemble
Wonderment (2018), 5’
(large ensemble), premiered by New Music Ensemble December, 2018 at Sherwood Concert Hall
Visund (2017), 4’30”
(french horn accompanied by flute, clarinet, percussion & string quartet), premiered by Matthew Oliphant accompanied by members of Dal Niente and the Chicago Civic Orchestra May, 2017 at Columbia College Chicago